art


And, in case, just like I did, you’ve relegated Rick to the “social- activist- artist- in- residence- experimental- housing- neighborhood- activist- of- socialness” category . . . I just found this from the Heinz Awards website:

This year he is a Loeb Fellow at the Harvard University School of Design, and he is currently working as the chief arts planner with Rem Koolhaas.

Koolhaas?! as in ‘Junkspace’ and ‘F–k the context’ koolhaas?? Whoa! I’m not quite sure what a ‘chief arts planner’ actually does or is responsible for design-wise, but I’d be willing to take it on for a day. Fun stuff!

As part of the “re/constructingatlanta: a contemporary continuum” intervention, Lowe was a highlighted speaker. His lecture was titled “Sculpting the Built Environment”.

His work was initially influenced by John Biggers, an artist who studied the social impacts fo the shot gun house. Lowe’s social variation on this, he calls Project Row House, was built in one of the most dangerous neighborhoods in Houston, TX in the early 90s. Scheduled for tear-down, agencies cited the homes as too close in density with dangerous narrow passageways between units that could easily be used by criminals to hide and partake in illegal activities. However, these are the very things that previously provided a high quality of life for the area. Wide front porches, neighbors within shouting distance, and a common ’square’ on which children could play all helped bind this historically, socially-animated neighborhood. Lowe recognized this, and with his four ‘necessary neighborhood components’, turned the community around.

  1. Relevant architecture (I love how he puts this one first)
  2. Sense of creativity and culture
  3. A handing down of wisdom from generations
  4. A social safety net

In all, his initial building project, sponsored with a grant from the National Endowment for the Arts, encompassed twenty two homes over the first few years. Ten housing arts programs, five with educational programming, and seven for single mothers getting back on their feet. All of the houses are for rent, none for sale. Lowe and his team believed that market-rate, for sale housing would eventually come to the area, but renters stood a higher chance of being gentrified out. The project is still growing, in the next year 56 homes will be built by what is now called the Project Row House Community Development Corporation, creating pockets of close-knit neighborhoods with traditional front porches.

An unfortunately fuzzy photo, this is gallery director Cathy Byrd, Rick Lowe, and I at the exhibit after the lecture. We chatted for a bit, mostly about NPU-V, and its possibilities. The next week’s lecture was about the long term disinvestment, speculative development and displacement experienced by residents of neighborhood planning unit V, the Summerhill/Mechanicsville stadium-area neighborhoods. Some residents of the area joined in our conversation as well. And I’d have to say, Rick knows his stuff.

So, doing a little research, I might see a connection. Highlights from a gallery review:

The figures always seem to be tied to the earth.

The weight of these things is stunning—hundreds of pounds, requiring special moving cases to support the structures in transport. Coyne is showing us the beauty of the world and its burdens.

The works of Petah Coyne are utterly about being female. (aka “girly” in Spuybroek terms)

The figures, dissected by walls, certainly suggest the dichotomy of two worlds, and we can play with what these worlds are—private and public, protected and exposed, individual and stereotypical, sacred and secular. (structure vs facade perhaps?)

Reality vs. Perception. The real woman is in the strength; the perception is in how she is adorned.

By Saturday, I should have our latest gothic iterations up.

. . . . I think he wants us to hang stuff???